Stockbridge, MA: Often when one hears the term Art Glass, a work of art created in a hot furnace with a blowpipe is what first comes to mind. This exhibit gives visitors a glimpse into the diverse techniques that creative hands and minds can employ in this medium. Made in N.E. is a curated exhibition of blown, cast, cut, fused, laminated, and sculpted works in glass created by fourteen artists in New England including; William Carlson, Daniel Clayman, Dan Dailey, Bernie D’Onofrio, Robin Grebe, Dorothy Hafner, Eric Hilton, Sidney Hutter, K. William LeQuier, Martin Rosol, Thomas Scoon, Harue Shimomoto, Jen Violette, and Steven Weinberg.Made in N.E. celebrates the intersection of global and local technique and tradition. Some of the artists, like Eric Hilton, Martin Rosol, and Harue Shimomoto, bring international perspectives to the show, as emigrants or immigrants to the U.S. who chose to settle in New England. Martin Rosol of MA, for example, became a naturalized American citizen in 1994. His exhibited works present the viewer with Rosol’s innovations on the Czech glass tradition. Other featured artists, such as Jen Violette, are dyed-in-the-wool New Englanders. Violette herself found initial artistic inspiration in the artworks and lifestyle of her grandparents who earned their living as studio artists in Maine. She currently resides in Vermont on a small farm, drawing inspiration for her hot sculpted glass pieces from the gardens on her land.
The artists’ processes are as diverse and nuanced as their origin stories. Many of these artists use multiple techniques, several incorporate varied materials such as metal, mahogany, or stone into their glass sculptures. Whether viewing the installations of Bill Carlson, Daniel Clayman, and Dan Dailey or the smaller-scale work of Robin Grebe, Dorothy Hafner, and Sidney Hutter, one cannot help but marvel at the diverse and incredibly unique art united by the medium of glass and the community behind it.
A fair number of newer glass artists and many who started working during the earlier days of the American Studio Glass Movement, which began about 55 years ago, progressed through ceramics as a stepping stone to the alluring medium of glass. Dorothy Hafner, trained as a painter, sculptor, and ceramicist, first designed for Tiffany & Co. and the Rosenthal Company before venturing into the world of glass. Hafner collaborated with the famous Lino Tagliapietra and has since shifted her focus to flat glass, fusing her layer upon layer of intricately cut designs to create her trademark bright translucent panels.
Given the translucent nature of glass, it is no surprise that a number of glass artists begin as lighting designers or emphasize lighting in their work. Daniel Clayman, who recently created the vast Rainfield installation at the Massachusetts College of Art and Design’s new Design and Media Center, started as a theater lighting designer before embarking on a very successful career in glass. Clayman’s continued interest in light’s behavior and feats of engineering are apparent in his cast and cut glass works, which in some instances expand to fill a vast room, and in others fit on a pedestal.
Dan Dailey, known for his range of technique and the versatility of his work, has been creating sculptures and functional art with an emphasis on lighting since 1970. His series of chandeliers and sconces captivate viewers with their whimsy and technical prowess evident in their execution. Every piece of Dailey’s work begins with a drawing, and many incorporate multiple medias and glass-working processes. He is a master of the most seductive of all techniques, blown and hot-sculpted glass. The immediacy, the fire, and the viscous honey-like consistency of molten glass lure many artists and craftspeople into its web. Watching is irresistible, doing is difficult. Dailey, a veteran of the glass-blowing arena, has certainly proven his commitment to his art over the course of more than forty-five years as a working artist. Often narrative, his sculptures and architectural installations explore extraordinary concepts with a wide range of themes and styles articulated through blown, cast, and pâte de verre glass expertly woven with elements of bronze, steel, aluminum, and light.
A number of artists who work in cast glass, such as William Carlson, Robin Grebe, and Thomas Scoon, also incorporate alternate media into their glass sculptures. After making a mold from sand, plaster, or another material that can hold its shape while filled with molten glass, the artist pours the hot glass into the void, sometimes adding elements to the piece while it is still warm, sometimes waiting for it to cool before juxtaposing the fragility against the strength of metal or stone.
Some glass artists follow their casting process with “cold working,” or the manipulation of glass at room temperature. “Cold working” almost always involves cutting or carving the glass, by hand with a tool or by means of a machine. Eric Hilton employs varied methods, using a waterjet or a copper wheel. Sidney Hutter pioneered a laminating process that includes ultraviolet adhesive and specialty pigments to create and color his precisely cut plate glass into the suggestions of vessels. Martin Rosol, too, plays with color in his laminate as well as the finishes of his sculptures. He sandblasts to achieve a softer opacity, or grinds and polishes to create surfaces that shine like ice. After carefully planning each piece, the internationally exhibited Steven Weinberg casts and carves optical crystal in his Rhode Island studio.
Glassblowing and particularly hot sculpting also offer many opportunities for the rendering of an artistic vision, for innovation and experimentation. The potential and allure of this medium plus fire and breath is reflected in Bernie D’Onofrio’s stunning rivulets of glass that seem suspended within an exterior transparent vessel, or in the wild, almost alive glass strands tamed by K. William LeQuier’s talent. Jen Violette’s irresistible garden vegetables and rabbits charm viewers, her sculpted hands embody grace.
Experimentation in this art form continues to produce amazing works, such as the delicately woven threads of glass by Harue Shimomoto. The presentation is as exacting as the process, as Shimomoto suspends layers of glass tendrils from above to create depth and subtle movement as the viewer shifts and perspective changes, creating an ethereal suggestion of a textile landscape.
Visit Schantz Galleries in Stockbridge, MA, to see how New England artists exemplify the diversity of technique, perspective, and origin that the world of contemporary art glass has to offer.
IF YOU GO: Made in N.E.
Exhibition May 8 – June 24, 2017
Gallery Hours: Open daily 10:30-5:30
Schantz Galleries Contemporary Glass, 3 Elm Street, Stockbridge, Massachusetts 01262
Tel: 413-298-3044 www.schantzgalleries.com
Artist Reception: Friday June 23, 4-6pm