DAN DAILEY

Since 1971, Dailey has participated in over 300 group, juried, and invitational exhibitions, and has had numerous one-person museum and gallery exhibits including a major retrospective at the Renwick Gallery of the Smithsonian Institution, and a recent installation at the State Hermitage Museum in St. Petersburg. He has completed more than 70 architectural commissions for corporate headquarters, hospitals, municipalities, a county courthouse, a performing arts center, and private residences. His work is represented in more than 50 museum and public collections around the world.
Blown glass, sandblasted and acid polished 15.5 x 11.5 x 11.5". Currently on exhibit at Schantz Galleries.
Glass cane, anodized aluminum, 17.5 x 25 x 1.5". Currently on exhibit at Schantz Galleries.
Blown glass, sandblasted and acid polished. Anodized aluminum, 23 1/2 x 14 1/4 x 7 1/4”
Vitrolite, nickel and gold plated brass, anodized aluminum, various glass details, enamel paint, 31 x 44 x 6”
Blown, sandblasted and acid polished glass, Dan Dailey Abstract Head Series, 16.5 x 11 x 11”
Blown, sandblasted and acid polished amethyst fade to clear glass vase. Lapis and turquoise rim and wraps. Clear glass details, 21 3/4 x 11 x 11”
Blown, sandblasted and acid polished roseorange glass. Orange rim and balls. Multicolored vitreous enamel, 11 x 8 x 8”
Blown, sandblasted and acid polished red-amethyst glass. Blue and black streaked rim and balls. Multicolored vitreous enamel, 9 1/2 x 10”
Blown, sandblasted and acid polished olive glass. Lapis rim and prunts. Multicolored vitreous enamel, 11.5 x 7.5 x 7.5”
Blown, sandblasted and acid polished red-coral glass. Lapis rim and prunts. Multi-colored vitreous enamel, 5 1/2 x 7 1/4”
View the Chrysler Museum of Art exhibition catalogue.
© 2020 Chrysler Museum of Art. This catalogue has been made possible through the generous support of Schantz Galleries. Used with Permission of the Artist.
Since 1971, Dailey has participated in over 300 group, juried, and invitational exhibitions, and has had numerous one-person museum and gallery exhibits including a major retrospective at the Renwick Gallery of the Smithsonian Institution, and a recent installation at the State Hermitage Museum in St. Petersburg. When asked if his work has been represented before in the way that the Chrysler Museum is recognizing and exhibiting his works, Dailey says, “Carolyn Needell has a thesis that she has put forth as far as my work is concerned. She wanted to focus on that and is not showing the illuminated works. She made deliberate selections and has rationale for each. Her take on it is different and my work has not been exhibited in this way before.”